Originality in advertising. A subjective viewJuly 11, 2012
I still recall the stark print advertisement, years ago, which sparked my love of advertising.
Done well, advertising grabs your attention, stimulates your emotions and is highly memorable.
However, emotions are also aroused within the advertising world on the issue of originality.
According to Campaign China, advertising agency DDB Group Hong Kong has succumbed to criticism and re-edited a current Towngas television commercial, after clamour over a perceived lack of originality by the public and claims of conceptual theft by competitor agencies.
The 30-second TVC launched in June to celebrate 150 years in Hong Kong, and showed a series of Towngas technicians standing or walking through a multitude of Hong Kong locations, from historic to contemporary. As a one-time resident of Hong Kong, the film generated in me the clearly intended sense of pride in the city and the contribution of The Hong Kong and China Gas Company Limited.
The action within the spot has been likened to the videos of idiosyncratic dancer and world traveller, Matt Harding. The “Dancing Man” videos had become a viral phenomenon and Matt’s travels were subsequently sponsored by Visa as an advertising campaign. Strangely, the degree of originality in that campaign has not been questioned!
The rationale for the claim of plagiarism is that, like Matt, the actor remains centred in frame while intercutting between different locations. Centre-frame is hardly an original placement and was understandably necessary for consistency.
As a professional film-maker and someone who had seen the “Dancing Man” videos, I made absolutely no correlation with it while watching the Towngas spot.
If centre-frame was the focus, then why not identify the source as the online campaign for Johnnie Walker, in which actor Robert Carlyle narrates the history of the brand for over six minutes, as he continuously walks toward a receding camera?
The concept is not unique. In fact the very first television commercial on which I worked, (in 1983), consisted of a male model, centred in frame, walking toward a reverse tracking camera on multiple locations!
An adman from a competitor agency commented on the Towngas concept, “While there’s nothing strictly criminal .. ” !! What an inference! Some may consider that if a lack of originality in advertising concepts was criminal, there would be precious few creatives not ‘doing time’.
Originality is mostly demonstrated in the clever ways in which existing elements are perceived or recombined, and only very rarely in the components themselves.
I would be levelled with claims of unoriginality if I reverted to famous quotations, but there are many which reflect upon the difficulty in creating anything original, more so than ever today, with the immediacy and immense volume of content generated.
In today’s dynamic media environment, it is an entirely impossible task for any creative to absorb all motion picture media (advertising award entries, publicly aired spots, dramatic shorts, feature films, music clips, online videos). With YouTube adding more than a day’s viewing material every hour, how can anyone realistically expect to be exposed to all current and past creative concepts. How could they possibly remember all these, and guarantee no similarity between their work and a existing concept?
There is a vast difference between lazy duplication and a thematic resemblance.
Naturally, where there are agencies competing for big accounts within declining TVC markets, and individual creatives whose egos, professional reputations, awards and commercial successes are based on the concept of originality, debate will continue.
Robert Carlyle for Johnnie Walker
From Our Clients
Central to the development process is Digital Tsunami’s thorough understanding of the project needs, clear and constant communication, and creative, innovative and meticulous approach to delivering solutions.
We have been a client of Digital Tsunami now for a number of years.
As an ASX listed company, we seek reliability with our suppliers. Digital Tsunami have proven they are reliable and trustworthy.
We host multiple websites and services through them, and use them for technical and creative work.
There has never been an issue, they are always on top of all technical details, and simply provide the best possible solution around a given budget, and get things right first time. Clearly they have excellent quality controls and that shows in their services.
.. organised, meticulously detailed and yet flexible - always serving client needs to the highest standards. From a client perspective, you can expect high quality, timely completion and minimal fuss.
Andrew W Morse and the Digital Tsunami team are world class, creative professionals in the challenging and highly competitive business of web page design and utilisation.
He understands business, he understands marketing, he understands communication and he understands design. And most importantly, his web pages pay for themselves within weeks of going online.
The launch .. was a success. We were able to present this live on a Wireless connection during our Sydney, Australia sales conference on a location with very limited internet bandwidth. This proves the technology used .. renders light webpages which are easy to download on a browser.
Comments I've heard from our employees were all positive and reflected precisely what we were looking for: a simple but concise, clean and effective webpage.
We acknowledge the timeframe given to you was extremely short but nevertheless you have sucessfully delivered the project on schedule .. the critical success factor was communication and availability of Digital Tsunami's team.
I am very glad we were able to partner with such a professional team as yours and I am confident any other initiatives with you will be as successful.