Originality in advertising. A subjective view
July 11, 2012I still recall the stark print advertisement, years ago, which sparked my love of advertising.
Done well, advertising grabs your attention, stimulates your emotions and is highly memorable.
However, emotions are also aroused within the advertising world on the issue of originality.
According to Campaign China, advertising agency DDB Group Hong Kong has succumbed to criticism and re-edited a current Towngas television commercial, after clamour over a perceived lack of originality by the public and claims of conceptual theft by competitor agencies.
The 30-second TVC launched in June to celebrate 150 years in Hong Kong, and showed a series of Towngas technicians standing or walking through a multitude of Hong Kong locations, from historic to contemporary. As a one-time resident of Hong Kong, the film generated in me the clearly intended sense of pride in the city and the contribution of The Hong Kong and China Gas Company Limited.
The action within the spot has been likened to the videos of idiosyncratic dancer and world traveller, Matt Harding. The “Dancing Man” videos had become a viral phenomenon and Matt’s travels were subsequently sponsored by Visa as an advertising campaign. Strangely, the degree of originality in that campaign has not been questioned!
The rationale for the claim of plagiarism is that, like Matt, the actor remains centred in frame while intercutting between different locations. Centre-frame is hardly an original placement and was understandably necessary for consistency.
As a professional film-maker and someone who had seen the “Dancing Man” videos, I made absolutely no correlation with it while watching the Towngas spot.
If centre-frame was the focus, then why not identify the source as the online campaign for Johnnie Walker, in which actor Robert Carlyle narrates the history of the brand for over six minutes, as he continuously walks toward a receding camera?
The concept is not unique. In fact the very first television commercial on which I worked, (in 1983), consisted of a male model, centred in frame, walking toward a reverse tracking camera on multiple locations!
An adman from a competitor agency commented on the Towngas concept, “While there’s nothing strictly criminal .. ” !! What an inference! Some may consider that if a lack of originality in advertising concepts was criminal, there would be precious few creatives not ‘doing time’.
Originality is mostly demonstrated in the clever ways in which existing elements are perceived or recombined, and only very rarely in the components themselves.
I would be levelled with claims of unoriginality if I reverted to famous quotations, but there are many which reflect upon the difficulty in creating anything original, more so than ever today, with the immediacy and immense volume of content generated.
In today’s dynamic media environment, it is an entirely impossible task for any creative to absorb all motion picture media (advertising award entries, publicly aired spots, dramatic shorts, feature films, music clips, online videos). With YouTube adding more than a day’s viewing material every hour, how can anyone realistically expect to be exposed to all current and past creative concepts. How could they possibly remember all these, and guarantee no similarity between their work and a existing concept?
There is a vast difference between lazy duplication and a thematic resemblance.
Naturally, where there are agencies competing for big accounts within declining TVC markets, and individual creatives whose egos, professional reputations, awards and commercial successes are based on the concept of originality, debate will continue.
Sources:
From Our Clients
I happily recommend Andrew and the Digital Tsunami team.
I have dealt with many web marketing and support companies over the years, and have been very impressed with Digital Tsunami's response, advice and understanding of their field. I recommend talking to Andrew about your next web project.
Digital Tsunami is awesome.
Knowledge far beyond my expectations, led to the site being beautifully creative with simplicity, which is just perfect for a young female artist.
Andrew's patience and respect was impeccable, but what I loved most, was that he just knew what to do EVERY single time ... just the perfect web creator.
Thank you Digital Tsunami. Thank you Andrew
Andrew W Morse and the Digital Tsunami team are world class, creative professionals in the challenging and highly competitive business of web page design and utilisation.
He understands business, he understands marketing, he understands communication and he understands design. And most importantly, his web pages pay for themselves within weeks of going online.
I have enjoyed working with you on this important project and have been particularly impressed by your company's professionalism. The speed and accuracy of your work has been first rate and your creative input has been instrumental to the success of the project.
Digital Tsunami provided an outstanding service throughout the whole web development process. Andrew spent extensive time early on to understand our business in order to provide additional conceptual and strategic contributions to the brand and corporate identity of Kinetic Defence Services to ensure the message was clear, precise and appealing to the target audience.
The development process was smooth and efficient and enabled us to have an input throughout to guarantee total satisfaction with the final look and feel of the site.